I had insomnia again last night, then overslept today and was a bit drained all day. I’m not sure if that’s the result of heat or exhaustion, as it has been quite hot again (although not as hot as during the heatwave), but I also spent Shabbat (the Sabbath) mostly focusing on religious things (prayer, shul (synagogue), Torah study) and not relaxing. I did manage to do a few things today despite this.
E and I filled out the online application form for a wedding licence. We hope to book an appointment to get that licence tomorrow, when the licenses for the week we want are released. It’s a slow, bureaucratic process, filling in a form to get an appointment to get a licence, but at least if feels like we’re moving forward.
I’m also making slow, but steady progress with my novel. I don’t have much to say about that. I went for my first run in a couple of weeks too. Again, not great pace, and I did get a headache, but it was good to be exercising. I did experience some dizziness intermittently in the evening afterwards and I’m not sure what caused that. The headache did stop me doing much in the evening. I really just watched episodes of The Simpsons and listened to a religious podcast as I didn’t feel up to reading to study Torah (some episodes of the Orthodox Conundrum, like the one I listened to today, are strongly religious or even halakhic (based on Jewish law), whereas others are more cultural or political (in broad terms) with little directly religious content).
***
I have a couple of wisdom teeth that have been partially erupted for some years now. Dentists have never bothered to remove them, as they weren’t causing any pain. The gum over one of them has suddenly started become raw and sensitive over the last few days, and I can see the gum where the tooth is coming through is white, indicating the tooth is pressing on it from beneath. I really hope I don’t have to have the teeth removed right before I go to the US. For the moment it’s irritating, but not too painful, but I’ll have to see if it gets better or worse.
***
JYP commented on my previous post to say that there is a tendency in frum (religious Jewish) personal stories to “wrap [the story] up neatly and relatively quickly”. I think that’s true, but I’m not sure it’s unique to frum journalism.
Today I was reading an article on a Jewish website about a frum influencer’s struggle with alcoholism. It again had the narrative of descending to a low point, then steadily improving. This is unlikely to be the whole story, as addicts usually relapse at least once before achieving sobriety.
I think narratives are partly determined by the technical requirements of genre and medium, which is a fancy way of saying that in a personal story of one to two thousand words (which seems to be the average for personal stories like this on Jewish websites), you don’t get a lot of time to detail long and perhaps somewhat cyclical processes of change and relapse. There is also an expectation of closure at the end of a story in the Western tradition. In People Love Dead Jews, Dara Horn identifies this as primarily a Christian or post-Christian trope, saying that Yiddish and Hebrew prose fiction from the last couple of centuries often just ends abruptly with nothing resolved[1], but these religious sites are largely aimed at Westernised, secular readers.
In a wider sense, it’s common (cliched, even) nowadays for people to refer to life as a “story” or a “journey” [2], suggesting (at least in the Western tradition, according to Horn) a process with a clear beginning and ending with a linear path between them. Reality is more meandering and unfocused. Perhaps we need more stories, fiction and non-fiction, that meander and end inconclusively. For what it’s worth, my current novel is structured around the protagonist’s repeated falls from attempted sobriety and I am toying with the idea of an open, inconclusive ending. How to maintain interest despite the repetition is going to be hard, as will making the novel seem finished and not abandoned at the end.
[1] I’m not an expert on Hebrew and Yiddish literature, but from what I have read, Mendele Mocher-Seforim’s The Travels of Benjamin the Third ends very abruptly (it feels like the author lost interest) and a couple of Shalom Aleichem’s stories about Jewish rail passengers telling tales to each other stop suddenly when the storyteller’s station appears and he gets off. As for the kind of non-Jewish literature that Yiddish readers might have encountered, I’m not an expert on Russian literature either, but Crime and Punishment has quite a rushed ending (the ‘crime’ takes up most of the novel, the ‘punishment’ only a few pages) and The Brothers Karamazov ends very abruptly and with a lot left hanging, to the extent that, after 1,300 pages, I wasn’t sure it was actually the end. War and Peace meanders a lot through very different situations with no clear plot thread, but I can’t remember how it finishes, beyond the huge non-fiction appendix with Tolstoy’s weird ideas about history.
[2] When I was working in further education, whenever the institution would refer to the students’ “learning journeys,” my boss would comment derisively, “They’re not on a ‘learning journey!’ They’ve gone to college!”
When I hear “life is a journey”, that makes me think of meandering rather than going straight from point A to point B.
LikeLiked by 2 people
Interesting. You are probably right, although I think it still has an implication of a set end point (at least) for me.
LikeLiked by 2 people
I didn’t get a chance to respond to your comment in response to mine on your other post, but I agree with you that Orthodox publications are definitely not the only ones guilty of favoring the neat wrap-up.
LikeLiked by 1 person
Actually, I just realized that I am guilty of trying to force a neat wrap-up ending in my own novel. (One of several plot issues. Outside of some well-written, engaging scenes, writing my novel is going badly…)
LikeLiked by 1 person
Don’t malign well-written, engaging scenes!
LikeLike
Fair point. Now I just need a believable, not significantly flawed plot and non-cliched ending to go with said scenes. (I don’t have any of that yet, unfortunately)
LikeLiked by 1 person
Yes.
LikeLike
I’ve been increasingly frustrated with novels that seem to want to create a romantic link for a happy ending when none is needed. This happened in The Forest of Vanishing Stars, and it seemed to be far-fetched that Jews trying to flee Germans in the woods would wind up in the sack with a virtual stranger more than once in a period of a couple of years. It felt like a gratuitous development that the author felt like they had to add either for lack of skill or expectation.
LikeLiked by 2 people
Sex did happen even during the Holocaust, but it does seem odd to want to make it so prominent in the novel.
LikeLiked by 2 people
Oh, absolutely it did. But in this book (spoiler….) there’s a girl who was raised in the woods by an old woman who abducted her from her home, and she’s shagging a couple of Jews who make it to the woods as she’s teaching them how to survive in the woods for a couple of years. And the people were supportive of it. It just seemed like everybody would be more concerned about their survival than going at it in their tent with strangers. I could see maybe once in the period of two years I think the author placed her in the woods, but twice? When she’s never been around boys or men, either? And socially, she’s just fitting right in after living alone with an old woman in the woods her entire life? It was a good book, but I found that element a little like, oh geez, here we go again when it happened. And then happened again. It seemed to have lessened the impact of an otherwise good novel and just for almost formulaic reasons. The Holocaust isn’t a happy ending kind of story, imo, so why try so hard to make it into one?
LikeLiked by 2 people